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Remade in Hollywood: The Global Chinese Presence in...

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Remade in Hollywood: The Global Chinese...

Remade in Hollywood: The Global Chinese Presence in Transnational Cinemas

Kenneth Chan

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Chan looks at the dramatic post-1997 surge in Chinese presence in Hollywood, especially through the works of Ang Lee, John Woo, etc.

Kateqoriyalar:

Fiction - Humour

İl:

2009

Nəşriyyat:

Hong Kong University Press

Dil:

english

Səhifələr:

272

ISBN 10:

9622090559

ISBN 13:

9789622090552

Fayl:

PDF, 1.24 MB

IPFS:

,

english, 2009

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James Tweedie — The Age of New Waves: Art Cinema and the Staging of Globalization

Yingjin Zhang — Chinese National Cinema

Darrell William Davis, Ruxiu Chen — Cinema Taiwan: Politics, Popularity and State of the Arts

Marchetti, Tan — Hong Kong Film, Hollywood and New Global Cinema (Routledgecurzon Media, Culture and Social Change in Asia)

Rey Chow — Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema

Christopher J. Berry PhD, Mary Ann Farquhar PhD — China on Screen: Cinema and Nation (Film and Culture Series)

Lingzhen Wang — Chinese Chinese Women's Cinema: Transnational Contexts

Zhiwei Xiao, Yingjin Zhang, Yingjin Zhang — Encyclopedia of Chinese Film

Gary D. Rawnsley, Ming-Yeh T. Rawnsley — Global Chinese Cinema: The Culture and Politics of 'Hero'

Gina Marchetti, Tan See Kam — Hong Kong Film, Hollywood and New Global Cinema

Natasa Ďurovičová, Kathleen Newman — World Cinemas, Transnational Perspectives

Robert Burgoyne — The Epic Film in World Culture (AFI Film Readers)

Cheung, Esther M. K.; Marchetti, Gina; Yau, Ching-Mei Esther — A Companion to Hong Kong Cinema

Christopher Frayling — The Yellow Peril: Dr. Fu Manchu and the Rise of Chinaphobia

Gina Marchetti — Romance and the Yellow Peril : Race, Sex, and Discursive Strategies in Hollywood Fiction

Michael Curtin — Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV

Aynne Kokas — Hollywood Made In China

David Bordwell — Planet Hong Kong.

Stephen Teo — Chinese Martial Arts Cinema: The Wuxia Tradition

Sabrina Qiong Yu — Jet Li: Chinese Masculinity and Transnational Film Stardom

Iain Robert Smith — The Hollywood Meme: Transnational Adaptations in World Cinema

Qi Wang — Memory, Subjectivity and Independent Chinese Cinema

Kin-Yan Szeto — The Martial Arts Cinema of the Chinese Diaspora: Ang Lee, John Woo, and Jackie Chan in Hollywood

Lisa Odham Stokes — Historical Dictionary of Hong Kong Cinema

J.E. Smyth — Reconstructing American Historical Cinema: From Cimarron to Citizen Kane

Esther Yau — At Full Speed: Hong Kong Cinema in a Borderless World

Feng, Peter X — Identities in motion : Asian American film and video

Yomi Braester — Painting the City Red: Chinese Cinema and the Urban Contract

Sheldon Hsia-Peng Lu — Transnational Chinese Cinemas: Identity, Nationhood, Gender

Shuqin Cui — Women Through the Lens: Gender and Nation in a Century of Chinese Cinema

Song Hwee Lim — Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas

Xiaoping Lin — Children of Marx and Coca-Cola

Yinghin Zheng, Yingjin Zhang — Cinema, Space and Polylocality in a Globalizing China

Hsiu-chuang Deppman — Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction and Film

Stephen Teo — Hong Kong Cinema: The Extra Dimensions

Meyers Ric — Films of Fury: The Kung Fu Movie Book

Deborah Cartmell (ed.) — A Companion to Literature, Film, and Adaptation

Yingjin Zhang (ed.) — A Companion to Chinese Cinema

Brian Bergen-Aurand (editor), Mary Mazzilli (editor), Wai Siam Hee (editor) — Transnational Chinese Cinema: Corporeality, Desire, and Ethics

Jeffrey Richards — China and the Chinese in Popular Film: From Fu Manchu to Charlie Chan

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